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Renowned for his collection of Bertoia Chairs, Harry Bertoia started his life on 10th March 1915 in San Lorenzo, Pordenone, Italy. When he was fifteen years old he went to Detroit to visit his brother. His decision to stay in the USA, was to be life changing. He found an interest for creating jewelry, when he attended Cass Technical High School. In 1938, Bertoia continued his studies at the Art School of Detroit Society of Arts. He won a scholarship to attend the Cranbrook Academy of Art in 1939. This is where he met Ray and Charles Eames for the first time.

On finishing his studies, Bertoia started to teach metal work and jewelry design from his workshop. Due to the shortage of metal throughout the war years he focused more on jewelry making during this period.

He met his wife Brigitta Valentier in the 1940's and they moved to California to work with the Eames'. Amongst other initiatives at that time, they started experimenting with moulded plywood and in conjunction with Eerio Saarinen they developed a technique for making moulded plywood splints that would later evolve into processes for designing furniture.

The pieces were upholstered, to start with, and molded over lattice steel rods and were produced manually. There was some dispute, with Herman Miller taking an action which claimed that the patent for incorporating two thin wires welded on both sides of a mesh seat, was granted to Eames. Bertoia redesigned his collection using a single heavy wire when Herman Miller won the case.

The Diamond Lounge Chair was a commercial success and the Bertoia Chair Collection was created. This collection includes: the Bertoia Diamond Chair, the Bird Chair, the Bertoia Side Chair, the Bar Stool and the Asymmetric Chaise. Bertoia's objective of producing functional art pieces by bending metal rods, led to a collection of designer chairs that have achieved iconic status and much praise from the global design fraternity. His chairs were initially produced by Knoll in 1952 and it is testimony to his work that they are still in production to-day. The commercial success of the Bertoia chairs, allowed the designer to focus on sculpture. He became a fellow at the Graham Foundation in Chicago in 1957. His work explored the connection between metal and the sounds resulting from its touch or wind passing through the metal sculpture.

The American Institute of Architects recognised the design genius of Harry Bertoia. Harry Bertoia's name continues to be immortalised, by his collection of chairs. Designed in the 1950's they are a legacy that will live on for a long time to come.

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